Sunday, November 7, 2010

Revising Cavalry

[Cross-posted at Investigations of a Dog]

Over the summer I read two PhD theses which challenge a lot of preconceptions about cavalry in warfare, one on the Anglo-Saxon period and the other on the First World War.

  1. Kerry Cathers, “An examination of the horse in Anglo-Saxon England” (PhD, Reading University, 2002).
  2. David Kenyon, “British Cavalry on the Western Front 1916-1918” (PhD, Cranfield, 2008).

(Both of these can be downloaded free from EthOS, although you’ll need to log in and search for them as there are no direct links. Kenyon’s can also be downloaded directly from Cranfield, which is much easier.)

Historians used to assume without question that horses played little part in Anglo-Saxon warfare and society. Kerry Cathers has challenged these assumptions, showing that they are based on very little evidence. The lack of evidence makes it difficult to be certain, but there is enough to suggest that horses were widely used and known by the Anglo-Saxons. Horses were conventionally associated with warriors in Anglo-Saxon culture (Cathers, 181, 306). Although their most well known battles were fought on foot, Anglo-Saxon armies used horses for raiding and for transporting soldiers to battlefields (Cathers, 288-9, 383). The Aberlemno stone probably represents a battle between the Northumbrians and the Picts, and shows both sides using cavalry (Cathers, 276-82). Cathers also discusses the development of the stirrup and its influence (or not) on medieval warfare. She sides with critics of Lynn White’s view that the stirrup was the fundamental basis of feudalism. Ann Hyland found that Roman cavalry saddles provided a secure seat even without stirrups, and Littauer argued that the stirrup was developed to support the feet and avoid cramp on long journeys (Cathers, 189-90, 267-9). R.H.C. Davis attributed the couched lance to the great horse more than the stirrup, but still ended up privileging cavalry over non-military uses of horses, and deriving feudalism from a fairly narrow technological development. Cathers shows that Anglo-Saxon horses were no smaller than horses in other parts of Europe but that this fact has tended to be covered up by historians’ linguistic biases: referring to Anglo-Saxon horses as “ponies” signifies the idea of a small animal. She was also an early advocate of the idea that there is no such thing as native breeds, and that the idea was invented much later: “Though, as noted, some horse enthusiasts like to push the date of certain breeds back into the furthest reaches of the past, the claim that breeds existed during this period is entirely false and without substantiation ” (Cathers, 160). The spurious idea that the Exmoor pony is an authentic native breed led some historians to assume that Anglo-Saxon horses were similar. I don’t think a big horse would have been necessary for shock charges with the couched lance, because even the mass of a small horse could put a lot of momentum behind the lance. One particularly weird result of historians’ prejudice against the idea of Anglo-Saxon horses is that one place name study assumed that places including the element “wig” must be named after earwigs, and failed to mention the possibility that they could be derived from “wicgela”, an Old English word for stallion! (Cathers, 67-8)

If cavalry played a role in English/British warfare earlier than most people thought, they also remained important long after most people think they became obsolete. It might appear that the Western Front from 1916 to 1918 is not a very promising area for studying cavalry, but David Kenyon confounds expectations in even more detail than Stephen Badsey has done. The key to the argument is that although new technology created problems for cavalry it also created opportunities. Barbed wire was as much an obstacle to infantry as it was to cavalry. Neither could attack effectively unless the wire was removed by artillery, tanks or engineers. Machine guns and breech loading magazine rifles increased the firepower of cavalry as well as infantry. Between the Second Anglo-Boer War and the First World War, British cavalry were retrained to fight primarily as mounted infantry, although they were still trained and equipped to charge into close combat when the opportunity arose. In the early years of the First World War, every cavalry regiment had a machine gun section armed with Vickers heavy machine guns, which were transported on pack horses. In 1916 these were replaced with Hotchkiss light machine guns, and the Vickers guns were reorganized into Machine Gun Corps (Cavalry) squadrons (Kenyon, 33). This mobile firepower allowed cavalry to engage enemy machine guns in firefights. For example, when the 7th Dragoon Guards came under fire from German machine guns near Longueval on 14th July 1916, their own machine gun section knocked out the German guns (Kenyon, 60).

Although cavalry regiments mostly depended on firepower, changes in technology and tactics made cavalry charges more viable in some circumstances. From the medieval period into the nineteenth century the best way for infantry to resist a cavalry charge was to stand still in a very tight formation, because the horses would usually stop or turn away from an apparently solid object as long as the infantry had the confidence to stand firm. The massive firepower on early twentieth century battlefields made such close formations suicidal. When infantry dispersed to protect themselves from artillery and machine guns, they also made themselves more vulnerable to cavalry charges. On 14 July 1916 some German infantry were dispersed in a field near High Wood, sheltering in shell craters. This was the best way to protect themselves from artillery, which was the most likely threat, but they were charged by a squadron of the 7th Dragoon Guards, which had pushed through a gap in the German front line. Of these German infantry, 16 were killed by lances, 32 captured and the rest ran away (Kenyon, 60).

Rapid firing artillery was a much bigger threat than the machine gun. The worst combat casualties for British cavalry horses happened when their riders had dismounted to defend positions which were then shelled by the Germans, as at Monchy-le-Preux in April 1917 (Kenyon, 136). The increasing quantity and quality of allied artillery forced the Germans to abandon linear trenches and switch to defence in depth by the spring of 1917. In this system the front line consisted of a network of outposts rather than continuous trenches, designed to break up attacks gradually and funnel them into killing zones where they could be counter-attacked by reserves. Because the defences were more dispersed there was more room for cavalry to manoeuvre. Cavalry and infantry were able to employ fire and movement tactics which involved one unit suppressing an enemy position with its fire while another unit moved around its flank. Kenyon points out that these tactics had been in the Cavalry Training manual since 1912 (Kenyon, 109-10). When the allies broke through the Hindenburg Line in the autumn of 1918 and began advancing more rapidly, cavalry played a vital role in maintaining contact with the retreating Germans (Kenyon, 269).

Opportunities to use cavalry effectively in set-piece attacks were often missed because of failures in command, control and communication. While Kenyon rehabilitates the cavalry, he is critical of Cavalry Corps and its commander, Kavanagh. Having the cavalry divisions in their own Corps under GHQ complicated the chain of command, delayed the transmission of orders and intelligence, and made it hard to co-ordinate cavalry attacks with infantry and artillery. Cavalry divisions worked better when they were integrated into infantry corps attack plans but with the divisional commander free to use his own initiative to reach his objectives. There was also a pressing need for more cavalry squadrons to be attached to infantry divisions and corps for reconnaissance. Kavanagh was perhaps not well suited to command of a corps. His aggressive tendencies served him well as a brigade commander, but were directed at his subordinates more than the enemy once he was a lieutenant-general. The chain of command through Cavalry Corps HQ gave him too many opportunities to interfere with plans and overrule his divisional commanders, who were better placed to know what was going on at the front. Cavalry Corps also lacked the logistical infrastructure and heavy artillery which were found in infantry corps.

Despite all the problems, when cavalry were used effectively they were able to double the depth of “bite and hold” operations. Unfortunately, cavalry tended to be wrongly perceived as obsolete by people who didn’t understand them. The prejudiced opinions of a few tank officers have had a disproportionate influence on historians of the First World War. Tanks played a useful role in some battles, but they were much slower than cavalry. Wheeled armoured cars could move faster than tanks on good going but often got stuck in the mud. These problems weren’t effectively solved until the 1930s, when the British Army rapidly mechanized because horses genuinely were becoming obsolete. Erik Lund continues the story over at Bench Grass, with a look at mounted warfare and the development of the armoured division…

Wednesday, November 3, 2010

DNA Study of Thoroughbreds

Punctuated Equilibrium reports on a new DNA study of thoroughbreds which confirms that many foundation mares were British and that disproves claims that TBs have "pure" Arab blood. This data strongly supports Richard Nash's arguments, although I'm not sure that Bower's claim that "In the 17th and 18th centuries it was all about the boys," is quite right. In his chapter in The Culture of the Horse, Nash says that Weatherby started out recording the pedigrees of mares: "The original project of a national stud book was manifestly not to document the paternal influence of a particular group of stallions; indeed, for good and logical reasons, that project was properly gynocentric". He also showed that the influence of mares was uncertain and contested in the 18th century, so not "Originally, animal breeders thought that the important parent was the father and that any mare would do as a mother". There also seems to be some anachronistic mention of "British native breeds", but these weren't really invented until after the thoroughbred. Still, it looks like a really interesting and important study.

  1. M. A. Bower et al., “The cosmopolitan maternal heritage of the Thoroughbred racehorse breed shows a significant contribution from British and Irish native mares,” Biology Letters (10, 2010),  

  2. Richard Nash, “"Honest English breed" : the thoroughbred as cultural metaphor,” in The Culture of the Horse, ed. Karen L. Raber and Treva J. Tucker (New York; Basingstoke: Palgrave Macmillan, 2005).  

Wednesday, October 27, 2010

Berea College Hosts Free Symposium on Horses in Art on Saturday, October 30

The Berea College Art Gallery at Berea College in Berea, Ky., will present a free public symposium, "The Reign of the Horse: Exploring Cultural Connections Through Equine Images in Art," from 9 a.m. to 3:30 p.m. on Saturday, October 30, 2010. The symposium has been organized to coincide with the art exhibition, "The Horse in Japan, 1615-1912," on exhibit through November 12 in the Upper Traylor Gallery in the Traylor Art Building at Berea College. The symposium will take place on the Berea campus in Room 218 of the Frost Building. For more information about the symposium, contact symposium organizer, Dr. Elizabeth Tobey at or 540-687-6542 x 11.

The dominant theme of the symposium will be on the role of the horse in the development of cultural connections and how widely Kentucky's influence extends throughout the world by virtue of its prominent role in the world of horsemanship. Curator and art historian Dr. Sandy Kita's research on woodblock prints from Japan's Edo period (1615 – 1868) examines the role of the horse in Japan's cultural and military history and in its art. Dr. Kita will discuss how the connections established throughout history continue into the present day, connecting Japanese culture and Kentucky traditions in surprising and significant ways. Dr. Kita is Senior Scholar at Chatham University in Pittsburgh, Pa.

Dr. Ingrid Cartwright will examine connections between equestrian imagery created in the American Revolutionary period and early Republic and the European artistic traditions from which they spring. Dr. Cartwright is an Assistant Professor of Art at Western Kentucky University in Bowling Green, Ky., and is the curator of "Hoofbeats and Heartbeats: The Horse in American Art," which is on view at the Art Museum at the University of Kentucky in Lexington through November 21.

Dr. Elizabeth Tobey will discuss the similarity of cultural roles of the horse throughout history, specifically how Italian city states cultivated diplomatic and trade ties with European and Ottoman courts through the equestrian activities of riding, racing, and horse breeding. Her contributions to the exhibition and the symposium will highlight the present-day connections between Kentucky and Japan through the Thoroughbred racing and breeding industry. Dr. Tobey is the Director of Research & Publications at the National Sporting Library & Museum in Middleburg, Va.

The exhibition features woodblock prints (ukiyo-e), paintings on silk, and a rare Edo-period book on horse ornaments, all with equestrian subject matter. In addition to selections drawn from the permanent collection of the Berea College Art Museum, the Jordan Schnitzer Museum of Art in Eugene, Ore.; the National Sporting Library & Museum; and Mr. and Mrs. Walter and Dörte Simmons have lent works to the exhibition. The show was co-curated by Drs. Kita and Tobey. For more information on the exhibition, call 859-985-3530 or visit

Saturday, October 23, 2010

New article by Sandra Swart

Here's a new article by our own Sandra Swart in Society & Animals.

Swart, Sandra. “Horses in the South African War, c. 1899-1902.” Society & Animals 18.4 (2010): 348-366.

ABSTRACT: This essay discusses the role of horses in war through the lens of their mortality in the South African War (1899-1902). This conflict was the biggest and most modern of the numerous precolonial and colonial wars that raged across the southern African subcontinent in the late nineteenth century. Aside from the human cost, the theater of war carried a heavy environmental toll, with the scorched-earth policy shattering the rural economy. The environmental charge extended to animals. Both sides relied on mounted troops, and the casualties suffered by these animals were on a massive scale. This is widely regarded as proportionally the most devastating waste of horseflesh in military history up until that time. This paper looks at the material context of—and reasons for—equine casualties and discusses the cultural dimension of equine mortality and how combatants on both sides were affected by this intimate loss.

Monday, February 8, 2010

Elspeth Graham at the IHR

On Wednesday 10 February 2010 Elspeth Graham will be giving a paper entitled "Horses falling, horses flying: a seventeenth-century royalist's management of death and defeat" to the
Psychoanalysis and History seminar at the Institute of Historical Research, Senate House, London. The seminar takes place in the Low Countries room and starts at 5.30pm.

Sunday, February 7, 2010

First World War horse photos

These are some horse related photos from my collection of First World War photos. Click on the thumbnails to see bigger versions.

Man and girl on horses

Soldier and girl on horses. I think the man is probably a British or South African officer but I haven't positively identified the uniform. This was taken in Windhoek in what is now Namibia, but was then German South West Africa. I assume it was taken some time after the South African invasion in 1915. The horses are a similar size and appear to have identical tack, so I'd guess that the girl has borrowed an army horse to pose for the photo. The message on the back reads: ""With fondest love from Jane".

Mounted Officer

Mounted British Army officer. The insignia on his cuffs are too blurred to be certain but he's probably a Lieutenant. Bought from the collection of Major Disney, who served in 1/5th Lincolnshire Regiment (the battalion that my great-grandad was in). I don't know when or where it was taken. There's also draught horse and cart in the background.

Frisky Horse

Soldier leading a very frisky horse! His uniform looks like First World War period, and the seller said it was from an album marked "Mytchett", which is in Surrey and surrounded by army camps. Apart from that I know nothing about it.

Artillery Group

A group of Royal Field Artillery men, with a draught horse casually grazing in the background on the left. During the First World War the artillery mostly relied on horse drawn transport. Only the biggest, heaviest guns used steam or diesel tractors. The Army Remount Service bought horses from all over the world. In 1918 the British Army had over 1 million animals (of various species, but mostly horses) in service.

Saturday, January 2, 2010

Spot the mistake

From Anthony R. J. S. Adolph, “Papists' horses and the Privy Council 1689-1720,” Recusant History 24 (1998) pp. 60-1:

On 28 March 1696 the Council ordered that the 'Black Stone Horse fifteen hands high valued at one hundred and fifty pounds', seized in the stable of Col. John Cashe of Tottenham, was to be sent to the King's stables in the Mews but on 24 September 1696 an order was made that the Colonel's 'Gelding' - presumably the same horse - was to be restored.

But presumably if a stallion worth £150 had been gelded while in custody, the owner would have demanded more than just the return of the horse!